Heaney, M L. (2016). Music and theological method: A Lonerganian approach. Theological Studies,77(3), 678-703. United States of America: SAGE Publications Inc.. Retrieved from https://doi.org/10.1177/0040563916652399
Music has for the most part been relatively absent from theological aesthetics, specifically in relation to theological method. The epistemological framework of Bernard Lonergan allows us to bring insights from music studies into dialogue with Lonergan’s writings on art, the aesthetic and artistic patterns of experience, and music. The author makes a case for the integration of music—both listening to and making music—within theological method.
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